|
| |
|
|
INTERPRETATION AND SOUND RENDITION OF THE RECORDINGS OF SMETANA´S QUARTET IN E MINOR
Pohnán, Jiří ; RYBÁŘ, Jaroslav (advisor) ; STEJSKALOVÁ, Sylva (referee)
The goal of this study is an interpretative and sound analysis of the recordings of Smetana's quartet in E minor, "From My Life". For this purpose recordings of The Bohemian Quartet, The Smetana Quartet, The Lindsay String Quartet, The Skampa Quartet and The Pavel Haas Quartet were selected. By a method of analysis, we determined character of the components involved in the impression of the composition and then we compared the individual outputs. The results provide a comprehensive view on these issues.
|
|
| |
|
|
The journey of polka to the opera The Bartered Bride
Adams, Tereza ; FRIČOVÁ, Marie (advisor) ; GREMLICOVÁ, Dorota (referee)
This diploma thesis contains the description of the polka dance, its origin and short history. The next part belongs to the opera of Bedřich Smetana „The Bartered Bride“ from its creation through to the next presentations in the National theatre in Prague until the actual performance. In the last part there are descriptions of three chosen choreographies of polka from this opera and their analysis according to the model of Janet Adshead – Lansdale. Supplements contain biographies of Bedřich Smetana and choreographers of chosen inscenations – Otto Šanda, Pavel Šmok and Ladislava Košíková.
|
|
| |
|
|
Bedřich Smetana- inspired by Shakespeare with focus on the composition Macbeth and the Witches
Suchánková, Eva ; KRAJNÝ, Boris (advisor) ; KLÁNSKÝ, Ivan (referee)
The master thesis deals with the piano sketch Macbeth and the Witches written by Bedřich Smetana. First of all, the reader is familiarized with the biography of B. Smetana, where the deciding moment for writing this music piece is captured. The inspiration by William Shakespeare is put to a broader context with Smetana's work. The original drama is compared with Smetana's music. The sketch has been revised four times since its creation, in 1912 by Jindřich Káan z Albestů, in 1924 by Roman Veselý, in 1961 by Václav Štěpán and in 1981 by Jan Novotný. The last two revisions were compared in detail and many differences were found in the marking of the tempo, the notation, pedalization, dynamics and fingering, last but not least mistakes were found, so their removal was suggested. In the ending of the thesis, there are recommendations concerning the practising of the piece from my own professional experience.
|
|
|
Piano Trio g minor op. 15 by Bedřich Smetana - Analysis Of Composition
Králíčková, Klára ; MALÝ, František (advisor) ; LEICHNER, Emil (referee)
The bachelor thesis deals with an analysis of the interpretation of the Trio g minor op. 15 by Bedřich Smetana. First chapter is dedicated to Bedřich Smetana´s chamber music. Then the reader is introduced into the historical circumstances of the formation of the Trio g minor and all the sources of author´s inspiration. After that the interpretative analysis of the Trio as the main focus of my thesis is presented. Used approaches of analysis are melodic, rhythmical, harmonical, instrumental, dynamical, formal and tectonic. Such a complex view of these chamber pieces enables a deeper insight into their complexity and also serves to a convincing interpretation and better understanding of the Trio g moll op. 15.
The thesis is divided into the introduction part, three main chapters with several subchapters and the conclusion. As well, six attachments are added.
|
|
| |
guest ::
